CultureMan Ray’s Hidden IdentitiesNoire et BlancheWas one of Dada’s fathers really such a mystery or did he show his true self in his art? Philip Gefter on an enlightening new exhibit.William BootUpdated Jul. 14, 2017 7:30PM EDT / Published Nov. 12, 2009 4:44AM EST Noire et Blanche, 1926 Marcel Duchamp, Solarized Portrait, 1930 Dadaphoto (Coat Stand), 1920 Le Violon d'Ingres, 1924 Self-Portrait, 1916 Gift, c. 1958 (replica of 1921 original) Rayograph, 1926 Untitled (Hand), 1922 Untitled (Hand), 1922 Promenade, 1916 Indestructible Object 1923/1965 La Fortune, 1938 Ernest Hemingway with Banjo, 1923 Lee Miller, 1929 Untitled (Self-Portrait with Camera), 1930, printed 1935/6 Primacy of Matter Over Thought (Primat de la matière sur la pensée), 1929 Puericulture II, 1964 Man Ray and Marcel Duchamp Seated on a Curb, 1949 Self-Portrait as a Fashion Photographer, 1936 William BootGot a tip? Send it to The Daily Beast here.
Noire et Blanche, 1926 Marcel Duchamp, Solarized Portrait, 1930 Dadaphoto (Coat Stand), 1920 Le Violon d'Ingres, 1924 Self-Portrait, 1916 Gift, c. 1958 (replica of 1921 original) Rayograph, 1926 Untitled (Hand), 1922 Untitled (Hand), 1922 Promenade, 1916 Indestructible Object 1923/1965 La Fortune, 1938 Ernest Hemingway with Banjo, 1923 Lee Miller, 1929 Untitled (Self-Portrait with Camera), 1930, printed 1935/6 Primacy of Matter Over Thought (Primat de la matière sur la pensée), 1929 Puericulture II, 1964 Man Ray and Marcel Duchamp Seated on a Curb, 1949 Self-Portrait as a Fashion Photographer, 1936